![]() MYRIAM: ". She stops her imitation, shaking with disgust. MYRIAM: "Is the bunny going to die?" "Is he going to kill he turtle?" "What's it feel like when you. She imitates what appears to be the boy's voice. I ready him a story and every time I turn the page, he's like." You can easily picture that kind of hairball. MYRIAM: "Like the nasty kind you pull out of the shower pipes, you know?" I don't know how he did it, but I found a huge hairball in my coffee." The memory of the pain comes back to her, settles in. MYRIAM: "When I come out, there are tacks on the floor. It was all melted on a plate, but you could still make out its shape and colour." She wrinkles her nose like the stench had followed her all the way into the cab. Suddenly, I hear something ring in the kitchen. MYRIAM: "He makes me feel really uncomfortable. The word "weird" hangs suspended in the air for a few seconds. It's not at all the same situation, anyway. I doubt that's an option again.MYRIAM: "Oh well. I also need to check if it's possible to advise him to talk to his colleagues, but still drop him at home. Also, there's potential for variances/new dialogue depending on specific combinations of already transcribed choices - but I doubt it with this encounter. I need these remaining choices to have this fully transcribed: 4d((Say nothing.)), 6a(« It's alright. ») 11a(« You have to tell them. »(« Should I turn around? », (« Don't drink too much. », « Pay the first round. », « Tell them how you feel. »))). ![]() partner? », « Does he hold it against you? », (Say nothing.), (Let him continue.), (Say nothing.), « You have to leave here. » STORY - THE JUDGE(N7) - (Say nothing.), « Uh. STORY - THE JUDGE(N7) - « Uh-huh. », « Yes, of course. », (Say nothing.), « Who's he? », « James? He's English? », « As long as it's not in my taxi. », « Yeah, just be careful, ok? », « Karate Kid? », (Say nothing.), « Right now? », « You have to find a new profession. » PIERROT: "I don't know how to tell them about all this."įrom the tone of his voice, you can tell he's beginning to panic. Actually, the majority of your Saturday night passengers are drunk. His headache is apparently back, and has knocked him out a bit. but I think I'll feel better if.if I speak to them directly." But I think it's about the 10th time I've gotten wasted this month. HOUSSINE: "It's not just the alcohol talking?" I'll never do it."Ī smile of relief spreads across his face. PIERROT: "Can you take me somewhere else? If you don't mind." The word rolls off my tongue completely naturally. Because I can say fag any time of day, without any prompting. PIERROT: "I say "we" because I'm in on it. When we catch a guy who's never done time before, we tell him briefly what he should expect. But I work in a police station and listen to their comments. PIERROT: "I'm getting married in a few weeks. I convinced them we're trying to have a kid, but it hasn't worked yet." PIERROT: "As soon as they get too close to Strasbourg, I start making up stories. Contents 1 Passidex 2 Transcript 3 Notes Passidex You have met Pierrot. He makes a strange yelping noise, like an air bubble bursting on the surface of a river. Pierrot is one of the many passengers you can pick up in Night Call. ![]() they all think I'm in a relationship with a woman who lives in Strasbourg. PIERROT: "I've been lying to my colleagues for years. Because I don't know who to talk to about this and. We were having a go away party for a colleague. He points to his badge and screams at you, with a big smile on his face. He chuckles as ones of his colleagues rushes over to the taxi and pulls an imaginary gun from his coat. PIERROT: "Hey! What's up? I live near Ternes." He smells like crêpes and hard cider and his face is bright red. You can see his muscles through his thick, winter clothes. He opens the door and collapses onto the back seat. After a bit, one of them pulls away from the group and comes over to your taxi. ![]() Ones who ruined the afternoons you spent wandering around Paris in your teens. They're officers from the Paris Anti-Crime Squad, in plain clothes. All the men and women are dressed alike: sport, running shoes, jeans, small shoulder bags. The door opens and a group of thirtysomethings comes into view. You pull up in front of the address the central office gave you: a crêpe joint, quite a popular one by the looks of the line spilling out of the door and onto the sidewalk. NOTE: This was transcribed during the Judge case, in which Pierrot is a suspect.
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